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Some of the works are modeled on furnishings from Chariots Roman Spa in the London district of Shoreditch, which recently closed in 2016 after almost 20 years in order to make way for a luxury hotel development. Chariots was a meeting place for the local gay scene, a venue for exchange and communication, as well as for seclusion, but also for cruising and sexual desire—a complicated, chaotic, intermediate world in which the private and public collided beyond moral and normative categories.
