When Netflix’s May December hit theaters on Nov. 17, a new generation was introduced to the particular, peculiar pleasures of a Todd Haynes movie. Since the late 1980s, the director has crafted gorgeous, hyper-intelligent films, often period pieces centering women, with an unmistakably queer streak. Haynes, who is gay, became known as a pioneer of what we called the New Queer Cinema movement in the ’90s (ask your Gen X friends, they’ll tel
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Matt Skallerud
onto LGBTQ+ Movies, Theatre, FIlm & Music |